AIR STYLE

DIRECTING / FRAMING / MOVEMENT

Drone for cinema
& fiction.

Drone filming for features, short films, series and commercials. Alexis Olas prepares aerial sequences with the director, camera department and production team, starting from the intended framing and movement.

THE SHOT COMES FIRST

Give movement
a place in the story.

An aerial shot can establish a location, follow a subject or create a transition. We prepare its execution to fit the film’s visual continuity.

DRONE COLLABORATIONS

Shared expertise.
A discreet presence.

Beyond the credits shown here, Air Style has contributed to many other projects on a white-label basis, within our drone partners’ crews. A discreet presence, with the same attention to preparation and precision in the image.

Our drone partners: DroneCast, Skydrone, Full Motion, Skunati.

CINEMA

A filmography.
Different worlds.

A non-exhaustive selection of Alexis Olas’s feature and short-film credits. Roles follow the descriptions listed on IMDbPro.

Poster for Zack Snyder’s Justice League

2021 / Film

Zack Snyder’s Justice League

Credit: drone shots

Poster for Goliath

2022 / Film

Goliath

Credit: drone pilot

Poster for Au revoir là-haut

2017 / Film

Au revoir là-haut

Credit: drone pilot

Poster for Alibi.com

2016 / Film

Alibi.com

Credit: drone pilot

Poster for Banlieusards

2019 / Film

Banlieusards

Credit: drone operator

Poster for Sœurs d’armes

2019 / Film

Sœurs d’armes

Credit: drone shots

Explore more film credits

Poster for Juste après l’aube

2026 / Film

Juste après l’aube

Credit: drone operator

Poster for Soft Gravity

2026 / Short film

Soft Gravity

Credit: drone operator

Poster for Vacances forcées

2025 / Film

Vacances forcées

Credit: drone operator

Poster for Réconciliation, dans les pas des Cathares

2024 / Film

Réconciliation, dans les pas des Cathares

Credit: drone operator

Poster for La pluie et le beau temps

2020 / Short film

La pluie et le beau temps

Credit: drone pilot

Poster for Ma Famille et le Loup

2019 / Film

Ma Famille et le Loup

Credit: drone pilot

Poster for Made in China

2019 / Film

Made in China

Credit: drone pilot

Poster for L’Extraordinaire Voyage du fakir

2018 / Film

L’Extraordinaire Voyage du fakir

Credit: drone pilot

Poster for La Deuxième Étoile

2017 / Film

La Deuxième Étoile

Credit: drone pilot

TV FICTION

Series & TV films.

A non-exhaustive selection of our drone work on series and TV films, with the credited role specified for each title.

Poster for Cat’s Eyes

2024 / TV series

Cat’s Eyes

Credit: drone operator

Poster for Seul

2024 / TV film

Seul

Credit: drone operator

Poster for Un père idéal

2024 / TV film

Un père idéal

Credit: drone operator

Poster for Ma mère, le crabe et moi

2018 / TV film

Ma mère, le crabe et moi

Credit: drone operator

Source: Alexis Olas’s IMDbPro filmography. Years follow the filmography and may differ from French release dates.

PREPARING THE IMAGE

From storyboard
to flight path.

Visual references, light direction, starting and ending positions, and the pace of the shot guide the conversation.

The camera setup is considered in relation to the intended look and the conditions of the shoot. FPV or ground-based shots can complement the sequence.

ON LOCATION

Commercials, fashion
and film shoots.

Drone equipment used for a Dior shoot at Paris Fashion Week

FASHION / BRAND

Dior in Paris

Another perspective on the show. Drone operation: Alexis Olas.

Drone equipment in front of the Eiffel Tower at night, behind the scenes of Cat’s Eyes

FICTION

Cat’s Eyes

Drone filming for the series Cat’s Eyes. Discover behind-the-scenes images from filming around the Eiffel Tower.

Filming configuration with a Motocrane Radical arm, MOVI XL stabilisation and a Sony Venice camera

GROUND-BASED MOVEMENT

Motocrane & cinema camera

A filming configuration with a Motocrane Radical, MOVI XL stabilisation and a Sony Venice camera.

PREPARATION

From the imagined shot
to the filming setup.

01 / BRIEF

Define the image.

Shots, references, locations and dates: we start with the sequence you want to create.

02 / SETUP

Prepare the location.

Choosing the filming platform, configuring the camera and coordinating with production.

03 / FILMING

Work together.

Our contribution fits into the shooting schedule and the collaboration between directing, camera and location teams.

BEFORE THE SHOOT

The right questions.

What should we include in the brief?

Storyboards, framing references, locations, dates, the film’s format and production constraints help define the request.

Conventional drone or FPV?

The choice depends on the movement and proximity you want, followed by feasibility in the context of the shoot.

How can drone and camera car shots work together?

By preparing framing, pace and transitions between the filming platforms together.

HAVE A SHOT IN MIND?

Let’s talk about
your next shoot.

Dates, location and directorial intentions: send us the first details of your project.

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