CAMERA CAR / MOTOCRANE / VEHICLE-MOUNTED FILMING
Camera car, Motocrane Radical and MOVI XL stabilisation for filming on the move in cinema and commercials. The setup is prepared around the movement, framing and vehicle being filmed.
PREPARING THE SEQUENCE
Side tracking, changes in height or proximity to the subject: we consider the configuration in relation to the intended shots, location, camera and driving conditions.
We also work on a white-label basis, integrating our camera car setup into an established filming crew.
CONFIGURATIONS
01 / VEHICLE
A stabilised filming configuration, prepared around the camera and intended movements.
02 / ARM
Changes in framing and height, prepared with the camera team and director.
03 / ADDITIONAL PLATFORM
A Blackarm / Ronin 2 configuration presented by Air Style, assessed according to the project’s needs.
MOVEMENT
The vehicles’ relative positions, changes of angle, height and framing intentions.
Camera, lens, stabilisation, monitoring and the installation chosen for the sequence.
Setting, traffic, access, rehearsals and organisation agreed with production.
CAMERA CAR ON LOCATION
A non-exhaustive selection of projects illustrating how camera car filming fits into different production setups, with drone shots complementing particular sequences.
Camera car · Motocrane
A camera car and Motocrane assignment for the opening ceremony, presented in our production images.
Frame from a Reel published by Air Style
Drone & camera car
Drone and camera car filming for the teaser of the MMA reality series shown on Netflix.
Drone crew: Arthur Maneint.
Promotional image · Netflix
EQUIPMENT PRESENTED
An example of a motorised arm combined with MOVI XL stabilisation, shown in our production images.
The Sony Venice appears in the cinema configuration presented. Camera, lens and accessories are defined with the camera department.
A camera motorcycle fitted with a Blackarm and Ronin 2, shown with an Insta360 in the initial images.
PREPARATION
01 / BRIEF
Shots, references, locations and dates: we start with the sequence you want to create.
02 / SETUP
Choosing the filming platform, configuring the camera and coordinating with production.
03 / FILMING
Our contribution fits into the shooting schedule and the collaboration between directing, camera and location teams.
BEFORE THE SHOOT
Dates, locations, the subject vehicle, shot references and intended camera setup. Please also specify location constraints and the filming time available.
Yes. Preparation can include both ground-based and aerial shots. Each platform is considered in relation to the sequence and filming conditions.
It depends on the intended framing, camera and driving conditions. The selection is made after discussion with production.
HAVE A SHOT IN MIND?
Dates, location and directorial intentions: send us the first details of your project.
Drone · Camera car · Cinema · Commercials · Live